by Carter Gillies We can stipulate that only things done with intention count as art, and surely many examples can be found where specific intentions lead specifically to art results. The question is whether all art necessarily relies on intention or even whether the intentions an artist has necessarily produce the end result of the art that follows it. It […]
by Mark English ____ Disruptions to business as usual, such as we have been experiencing in the wake of the coronavirus pandemic, inevitably raise questions regarding which activities are essential or important for a good or fulfilling life, and which may be happily dispensed with. Answers to such questions will, of course, often be very subjective, influenced by personal histories […]
by Daniel A. Kaufman **In light of my recent Course Notes on Danto’s theory of interpretation, I thought readers might be interested in my own critique of his theory. The following paper originally appeared in Angelaki, Volume 17, Issue 1, Page 3-12, March 2012** §1 My subject is the popular view in (mainly Analytic) philosophy that a work of art […]
by Daniel A. Kaufman ___ Before the coronavirus turned everything upside-down, the students in my upper-division Aesthetics course and I were working through Arthur Danto’s theory of interpretation, so as eventually to bring it into tension with Susan Sontag’s take in her famous essay, “Against Interpretation,” on which I wrote in the early days of EA’s founding. Prior to our […]
by Daniel A. Kaufman ____ Recent exchanges with Robert Gressis and Spencer Case have led me to think a lot about obligation and objectivity. My focus thus far has been on the question of force, and my main goal has been to show that accounting for it is not made easier – or facilitated in any way, really – by […]
by Daniel A. Kaufman Every Fall, I teach an upper-division course on Aesthetics, which includes topics belonging to the philosophy of art, proper – like whether ‘art’ can be defined – as well as topics that are a part of what one might call the philosophy of art criticism – such as whether our evaluative judgments about works of art […]
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