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This Week’s Special: Quine’s “Two Dogmas of Empiricism”

By Daniel A. Kaufman On tap this week is one of the most influential philosophy papers of the last century, Willard Van Orman Quine’s “Two Dogmas of Empiricism,” which initially appeared in the Philosophical Review in 1951 and was later reprinted in his book, From a Logical Point of View, first published in 1953. The paper is widely believed […]

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Interpretation and Identity in the Arts

By Daniel A. Kaufman The late and greatest of the post-Second World War aestheticians, Arthur Danto, believed that artworks are constituted by their interpretations; that what makes this artwork this one and not that one is that this one means one thing and that one means something else. (Danto: 1986)  The art-critical project, on this view, is crucial to the […]

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