Interpretation and Identity in the Arts

By Daniel A. Kaufman The late and greatest of the post-Second World War aestheticians, Arthur Danto, believed that artworks are constituted by their interpretations; that what makes this artwork this one and not that one is that this one means one thing and that one means something else. (Danto: 1986)  The art-critical project, on this view, is crucial to the […]

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